ROBINSON’S MASTERPIECE: GRAVETYE MANOR

As winter finally sets in, I thought I’d distract you from the cold weather by taking you across the pond to gardens in lovely England. I plan to do a handful of  blog posts on the exceptional gardens I visited last June, and I begin with the grounds of Gravetye Manor.

DSC_0544In 1884, William Robinson began a decades-long journey to put his revolutionary landscape philosophy into practice at Gravetye Manor in England’s lush Sussex County. When he began his work, the vast grounds of the manor house, built in 1598 by Richard Infield,  had been used primarily for livestock grazing.  Vast woodlands made up much of the remainder of the estate.

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Robinson, a prolific garden writer (The English Flower Garden is legendary), was a leader in the movement toward the Wild Garden (he wrote a ground-breaking book of the same name).  He rebelled against the rigid formality of the Continental landscapes, writing, “the greatest and the most lasting improvement ever made in English gardens was the breaking away from the old idea of gardens of barrack-yard uniformity.”

After Robinson’s death, the Manor was neglected until hotelier Peter Herbert undertook a renovation of the house and garden in 1958, guided by Robinson’s meticulous writings about his work on the property in the book Gravetye Manor; Or Twenty Years’ Work Round an Old Manor House. Herbert transformed Gravetye Manor into a glorious country house hotel, restaurant and garden.  After Herbert’s retirement in 2004, the property again fell into neglect until Jeremy Hosking bought the property in 2010.  Hosking made the brilliant decision to hire Tom Coward, below, as Head Gardener.  Tom came to Gravetye with extensive experience, including time  at Great Dixter under Fergus Garrett.

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I had the luck of running into Tom during his evening stroll through the garden.  It is obviously a time that he and his dog Vera cherish. This delightful man told me that this was the time he could reflect on the progress and challenges of the garden, and contemplate plans for the days, months, and years ahead,  As he continued on his daily rounds (below), I found myself envious of Vera, wishing I could tag along to soak up just a sliver of Tom’s knowledge.

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What Tom and his team of dedicated and talented gardeners have done at Gravetye is jaw-dropping. Their mission is  “not only to conserve and re-create Robinson’s work but also to progress the garden in homage to his experimental style of gardening.”.

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In a break from the formal Renaissance era gardens in continental Europe, Robinson  looked to the land to lead the design.  He wrote,  “a garden should grow out of its own site, if we are to have the best of it.  One should think of the spot and what can best be done in it, instead of following set models.”Robinson’s formal layout adapted to Gravetye’s topography, transitioning to the rolling fields with a rustic arbor (recently rebuilt) and more loosely defined beds and plantings, below.

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The arbor is draped in White Wisteria and underplanted with soft violet Bearded Iris.

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Eschewing the practice of “bedding out” so popular at the time, Robinson instead sought to create planting schemes more in keeping with the patterns and groupings found in nature.  He said, “Almost everything was planted in groups, varying the sizes and shapes, holding some apart and some together by turfing plants beneath and spaces of repose around, letting other groups merge one into another, suitable plants intermingling.  This destroyed all set pattern to such an extent that it was impossible for the eye to take in the arrangement or contents of any single bed from one standpoint.

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Robinson wrote, “before the English invented and carried out landscape gardening, the foreigner, like ourselves, was content with the mason’s idea of a garden.” By that, he meant, “so few plants that architects made gardens of stones and a few clipped trees with geometrical tracery.”

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Don’t mistake Robinson’s disdain for the mason’s garden with a dislike for use of stone in the garden.  Gravetye Manor is a testament to Robinson’s brilliance in using hardscape to shape and define a garden.  The stone steps, above, illustrate his talent for blending the functional and the beautiful.  Here he softened the formal layout of steps by using an informal style of masonry and his wild style of planting schemes.

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Robinson was extremely critical of the Europeans’  treatment of plants as mere instruments to create barriers or define geometrical spaces or boundaries.  He wrote, “having seen for many years the evils of disfiguring trees and shrubs by clipping . . . I naturally did not follow a plan so evil in its results.  It is a common cause of hard and ugly lines in gardens, and usually so needless as well.”

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After years of begging landscapers to leave their hedge trimmers in their trucks when working on my clients’ gardens, and requiring only hand pruning of shrubs, I was ecstatic when I read the following from the great gardener: “we abolished the shears and clipped no more. .  the forming of dividing lines and shelters should be easy without the aid of the shears.”  In the picture above, a beautiful barrier was created using Rhododendron, not a formal hedge with all life and personality sheared out of it.  How much more beautiful the hedge is when the Rhodos are allowed to maintain their natural graceful shape!

DSC_0818The meadows at Gravetye Manor are spectacular (above and below). Robinson was also a pioneer in replacing mowed turf with wild meadows, and in naturalizing bulbs.  When I arrived, the spring bulbs had faded, and the summer wildflowers were in their glory.

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I may have missed the spring bulbs, but I’d say my walk along a carpet of Rhododendron petals more than made up for it.  And that bark!

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Enough discussion of this special place, its history and the immensely influential gardeners and patrons who have made it possible for the rest of us to enjoy.  I leave you with a few more images to soak in until you, too, can walk the paths of Gravetye Manor’s gardens.

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AN AUTUMN STROLL THROUGH GEORGETOWN’S DUMBARTON OAKS

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Visiting Dumbarton Oaks is always a treat, but last October, a walk through the grounds was particularly special as I got to tag along with Lynden Miller (left, below)  and Gail Griffin (right, below).  The two long-time friends are icons in the world of American landscape gardening.

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New York City public landscape designer Lynden Miller  rescued and restored Central Park’s Conservatory Garden, among many other public gardens. I wrote about Lynden’s inspiring work and her influence on the public spaces movement in Richmond in a prior blog post.   On this cold rainy fall day, Lynden delivered a fascinating lecture  to the Dumbarton Oaks Fellows about Beatrix Farrand, the landscape gardener who designed the  Dumbarton Oaks gardens. After her lecture, Lynden and I joined Gail Griffin, Director of Gardens and Grounds at Dumbarton Oaks, for a stroll through the gardens.

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After a day spent on the grounds, it was clear to me that Gail is a beloved member of the Dumbarton Oaks family.  She values and appreciates the many and varied contributions of her talented staff. Moreover, she deftly balances the sensitive and complex goals of preserving the design intent of Farrand and Mildred Bliss, while embracing the living  landscape as it changes through the ages, the seasons, the days.

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Under Gail’s leadership, the vegetable garden has been reinstated and enlarged.  Over time she and her staff have added new vegetables, and new plant supports for the climbers and twiners.

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The cold and rain does not slow down the dedicated gardeners, who keep the garden looking

healthy and vibrant all four seasons.

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Japanese Anemone (Anemone japonica, above) blooms prolifically as the leaves fall.

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Griffin considers stormwater management and erosion control to be priorities for the Garden in coming years.  She would like the pools and fountains to recirculate and she would like to capture and reuse more rainwater.

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A seat in thyme . . .

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The rain accentuates the intricate branching of this Yew, above,

and the exfoliating bark of the tree (Lacebark Elm (Ulmus parvifolia)?) below.

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Thousands of Johnny Jump Ups and Pansies await planting.  I learned from Lynden and Gail that

Johnny-Jump-Ups  are hardier than pansies.

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In her lecture, Lynden noted that Farrand felt strongly that aesthetics are an important part of an intellectual life.  Farrand, the Blisses, Gail and scores of others  have created, nurtured and strengthened  the Garden over the last century for  those who come by the thousands to this special place along Rock Creek Park.

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The beauty of Dumbarton Oaks speaks to all of the senses on this cool, wet October afternoon. As Gail said in an oral history interview,  “People seem to see a spirit here, it’s almost an abundance, a tranquility. It’s a life lifted up to a higher level.” Amen.

GO VERTICAL! (IN THE GARDEN)

It’s often said that winter is the perfect time to study your garden’s bones.  As you do so, look up!  Pay special attention to your garden’s vertical elements.  Incorporating walls, fences, arbors, trellises, trees and shrubs  can solve many problems and will add interest and beauty to your landscape.

SEPARATION

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Whether you want to screen a driveway, gain a bit of privacy, or just provide transition from one garden space to another, vertical elements will do the job. A trellised fence takes up little space (depth) and provides a support for plants. In the picture above, Climbing Hydrangea (Hydrangea anomala subsp. petiolaris)  covers a fence.

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The tall picket fence and arched gate above tackle three issues:  they create separation  between front and back yards with a light touch, connect the buildings and provide support for roses.

 

At Dumbarton Oaks, below, a chain connected to stone pillars supports a Wisteria vine and creates a sense of enclosure.

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In another area of the gardens at Dumbarton Oaks in Georgetown, Wisteria is pruned to frame the beautiful latticework that physically separates the amphitheatre, without visually screening it. Beatrix Farrand, who designed the  gardens, was masterful in using vertical elements to shape the sloping land into separate terraced gardens with brilliant circulation from one garden to the next.

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The latticed fence below, anchored by variegated Hosta, defines property lines and provides a connection between the neighbors’ gardens.

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The front entrance, below, in this Kansas City neighborhood is beautifully defined by the stone and wrought iron fence and gate.

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SEPARATION WITH PLANTS:  This fruit tree in Lasham, England (I think it was a Pear), one of several along an axis,  has been trained to bear fruit and separates the garden into two distinct spaces.

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Charleston gardeners are some of the most talented vertical gardeners.  In the picture below, the hedge, punctuated by a line of Palmettos, is an effective screen of the parking area. While the English gardener uses the fruit trees, above,  only for definition, the Charleston hedge below is tasked with being a visually impenetrable screen.

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I love the contrast in the English hedge below — tightly clipped (with flanking clipped sentries), yet with a fuzzy unkempt crown and surrounded by unmowed fields.

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AN EXCUSE TO GROW PLANTS

Give a gardener a structure, and he or she will find a creative way to adorn it with plants. In the pictures below, a talented Princeton gardener espaliers Japanese Maples (Acer palmatum) and Japanese Hollies (Ilex crenata) on a humble cinderblock wall.

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In the same Princeton garden, Climbing Hydrangea  frames a window.

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Below, trellises supporting roses complement the architecture and strengthen the symmetry of a  formal garden.

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No room to grow Figs or other fruit trees?  Espalier them along a wall or strong fence, as is done below.

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Below:  Wall?  What wall?

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The pale pink and white Camellias (Camellia japonica) growing on the simple gothic trellises transform an otherwise empty weathered concrete wall along a Charleston driveway.

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Below, roses smother a thatch-roofed cottage in Lasham, England.

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Vertical features don’t just create enclosure and define boundaries.  A tuteur or other plant support, like the one below sporting the native Passionflower Vine (Passiflora incarnata), acts as a focal point at Whilton, an exquisite garden near Charlottesville.

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CANOPY

A mature tree canopy is an almost indispensable vertical element in the garden. Not only does it provide vertical interest, it offers shade and dappled light in the garden.   In the pictures below, allees are used to define space, act as a guide to a destination and reinforce a strong axial line.

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Dumbarton Oaks, above.  Whilton, below.

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Below, Plane Trees (Platanus x acerifolia) somewhere in Europe (9 years ago — can’t remember!).  The width of the path is inexplicably out of scale with the allee.

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What a beautiful “ceiling” the mature canopy makes  at Dumbarton Oaks below.

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The native Sycamore (Platanus occidentalis), below, is host to a Climbing Hydrangea.  Never allow English Ivy (Hedera helix)  to climb a tree.  When growing any other vine, be sure to keep it under control, so that the vine does not inhibit the tree from producing the leaves necessary to thrive.

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The streetscape in Savannah, below, gives me hope for urban planting.  This strip bordering a commercial property was used to maximum effect.  The evergreens  were planted effectively between windows, then expertly pruned to frame the windows,  show off the multi-trunk effect artfully against the pale wall, and allow pedestrians to pass below the canopies.  They are underplanted with a simple ground cover.

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And finally, have some fun with your vertical elements, as they did in the gardens at Whilton, below!

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THE SIDE YARD AS A GARDEN FEATURE

 

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The side yard is often a throw-away.  Ignored.  Neglected. Just a place to hide the trash cans.  But walking from your front yard to your back yard should be, at the very least,  a pleasant saunter.   Ideally, it is a beautiful garden room that is a captivating transition between front and back.

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A successful side yard will create some separation between front and back. That separation can be subtle, such as twin trees or shrubs acting as sentries, or a solid separation.  In the picture above, two brick pillars covered in Creeping Fig (Ficus pumila) anchor a wooden gate that allows a peek beyond.

brick pillars iron gateThe iron gate and fence posts supported by brick columns, above, have a more open feeling.  The evergreen plantings, including Japanese (spring blooming) Camellia (Camellia japonica) and Confederate Jasmine (Trachelospermum jasminoides) provide essential softening of the the hardscape.

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This Charleston home shows off the classic iron and brick work that defines Charleston gardens.

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Whether the arch is brick or wood, it beckons. This white arbor and fence  are the perfect complement to the Climbing Rose.

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Beyond the gate, the two airy trees underplanted with the low shrubs are the counterpoint to the brick-supported gate, and offer a subtle transition from side yard to back yard.

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A roomy side yard allows for sweeping borders. The graceful curve of the brick mowing edge leads the eye to the back yard entrance.

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This generous side yard uses a low Boxwood hedge to define the borders in a classic arc and jog.  The play of severe lines and loose plantings provides a wonderful tension and release.

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This linear Boxwood (Buxus sempervirens ‘Suffruticosa’) hedge and stone walkway in a Princeton garden provide structure for the mixed perennial and shrub border. Note the tall evergreen hedge on the property’s border, which allows complete privacy from  next door in a bustling neighborhood.

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Separation between front and back aren’t always necessary.  Here, all that’s needed is a brick path leading the way.  The Crapemyrtle (Lagerstroemia indica)  allee provides a nice canopy.

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Where you have more than an eight or ten foot wide side yard, your path can sport some curves.

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The path can also provide necessary changes in elevation.

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This brick path takes an abrupt right turn as it enters the back yard.  The fern-topped sculpture provides an interesting terminus.

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Corner lots provide opportunities for public “side yards.”  This five foot wide planting strip in Savannah makes the most of its space.  The trees are limbed up, allowing the sculptural quality of the trunks to steal the show.

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This New Orleans garden uses sweeping curves and low masses of plants, at once providing both continuity of the beds and separation between the spaces.

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On the opposite end of the spectrum, this brick wall and Ligustrum hedge provide privacy for this corner yard.  The Liriope softens the brick work.

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Here’s another gorgeous example of evergreens softening  a large amount of hardscape — in this case, an otherwise stark stucco wall.

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Where the side yard  is a driveway, it  can be given more of a garden feel if it is paved with brick, slate, bluestone or crushed stone.

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This “side” yard (considered the home’s front yard in Charleston) has a driveway paved in slate, and a series of hedges to separate the drive from the garden.  When paving a driveway with stone, use an experienced mason.  In order for the stone to bear the weight of vehicles, it must be laid using the correct thickness of stone, and very specific support and preparation.

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If the side yard is especially wide, it can be turned into a courtyard. Here, a former sloping side yard was given walls and a frog pond.

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This side yard-turned-courtyard is just one of a series of rooms.

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Study your side yard with new eyes.  Whether you add a simple stepping stone path bordered by plants or you build a  courtyard where you relax sipping your coffee or wine, it’s an opportunity waiting to be unleashed.

CENTRAL PARK’S CONSERVATORY GARDEN IS A MODEL FOR RICHMOND

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Central Park’s Conservatory Garden in East Harlem (named for the conservatory that inhabited the space from 1899 to 1934) was restored to its former glory, thanks in large part to the vision and tenacity of Lynden Miller. Her work to transform the crime-ridden, overgrown eyesore at the north end of Central Park was so successful that she moved on to restore many other public parks.

Richmond is undergoing an exciting transformation.  Richmond legend Mike Hughes wrote a moving and motivational column about it recently in the Richmond Times Dispatch.  Artists are transforming Broad Street into an arts district; the design industry is turning Shockoe Bottom into a design destination; outdoor enthusiasts continue to revitalize the riverfront.  Capital Trees, a non-profit  organization near and dear to my heart, is working with many civic, professional and business partners to support and accelerate this renaissance by tapping into the enormous potential of our parks and other public spaces, with the goal of making them beautiful, inviting and functional urban landscapes.

I blogged a few months ago about New York public garden designer Lynden Miller’s visit to Richmond in January at the invitation of   Capital Trees and Lewis Ginter Botanical Garden. She galvanized her audience to dream big and join in the revitalization work already underway.

On a cold rainy winter day, Lynden toured some of Capital Trees’ greening projects at various levels of inspiration and completion.  We also proudly showed her our beautiful and vast city parks.  At every turn, Lynden asked, where are the gardens?

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Scott Ukrop and Jill Nolt of 3north show Lynden  the plans Jill drafted for renovation of Great Shiplock Park.

She invited me to visit her in New York City to tour the public gardens she has restored, believing those projects would hold lessons for us as we roll up our sleeves in Richmond.

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Oakleaf Hydrangea (Hydrangea quercifolia) is Lynden’s signature plant. She uses it liberally in her gardens. Its spring and summer blooms, brilliant fall foliage and exfoliating bark give it  year-round interest.

Wow, what an opportunity!  I called Ashley Wallace — always up for an adventure —  and  we road-tripped to Manhattan in June. We met Lynden in the Central Park Conservatory Garden’s  North Garden, where we found her hard at work with her committed volunteers.

 

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Lynden and the volunteers plant the Conservatory Garden’s North Garden borders with thousands of Korean Chrysanthemums.  The Chrysanthemums were first planted in the garden in 1943, and are still propagated  — now by the New York Botanical Garden — using a color selection program that yields the masterful blend of colors on display in October.

This post has the twin goals of showing off the beautiful public spaces restored by Lynden and sharing Lynden’s advice — amassed through years of working in the trenches — for how Richmond can succeed in making (and keeping) our public spaces just as beautiful and beloved by our community.

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This Magnolia Soulangeana (Saucer Magnolia) is original to the Conservatory Garden, which opened in 1937. The garden was designed by Betty Sprout and Gilmore Clarke. In contrast to the naturalistic style of the rest of Central Park (designed by Frederick Law Olmstead and Calvert Vaux in 1857), the Conservatory Garden reflected the formal design principles of Europe’s renaissance gardens.

 

FIRST PRINCIPLE: A BEAUTIFUL PARK IS A SAFE PARK

Lynden’s mentor was urban planner William Hollingsworth (Holly) Whyte, who extensively studied how people use public spaces. He counseled Lynden  that making parks attractive to as many people as possible drives away criminals. In her book, Parks, Plants and People, Lynden cites a German study that found that the safest places in cities are beautiful outdoor spaces that are well planted and well maintained. This is, of course, common sense, but it is usually not a high priority for cash-strapped cities.

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Madison Square Park has become the centerpiece of the Flatiron District. Danny Meyer, owner of Union Square Cafe, sought out Lynden Miller to help revitalize the park, knowing that a beautiful park would attract lots of people, who would in turn attract and support thriving businesses. If you visit Madison Square Park, be sure to grab a sandwich at Mario Batali’s Eataly and bring it back to the park for a picnic, as we did.

 

Whyte also insisted that a park will only feel safe if the view into and out of the park is not blocked.  Lynden put this principle to work in the parks she restored by pruning overgrown hedges and using “see through” wrought iron fences to invite people in while giving the parks a sense of enclosure and definition.

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In the Conservatory Garden, the Stewartia pseudocamellia is underplanted with Lacecap Hydrangea (Hydrangea macrophylla) and Shrub Roses (Rosa, spp.). In the background is a wrought iron fence, allowing passers-by on the street to see the gardens.

 Regular maintenance has the same effect. Professional gardeners and committed groups of volunteers, who wear t-shirts identifying them as such, are fixtures at Madison Square Park and the Conservatory Garden. Their day-to-day presence drives out crime.
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This member of the Madison Square Staff also gardens at Strawberry Fields, the memorial to John Lennon in Central Park.

Before its restoration, the walls and steps leading up to the Conservatory Garden’s pergola were covered in graffiti.  The Central Park Conservancy removes graffiti within 24 hours of finding it. This practice has led to a decrease in vandalism in the park.

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Ashley and Lynden stand under the Conservatory Garden’s iron pergola. Wisteria winds through the pergola, creating a spectacular display in spring  directly across from the North Garden’s Vanderbilt Gate entrance.

 

SECOND PRINCIPLE:  FILL THE PARK WITH PLANTS

Urban planners often leave out one crucial ingredient to a successful public space: an abundance of lush plantings.  Whether the omission is an aesthetic choice or a more practical decision grounded in an understandable concern about long-term maintenance  of a garden, it occurs on a regular basis.

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Hydrangea, including this Lacecap, form dramatic sweeps in the vast shrub beds bordering Madison Square Park.

Before meeting Lynden, Holly Whyte did not consider plants to be one of the crucial elements of a successful public park. But after witnessing the plantings Lynden installed in her public commissions, he agreed that they are indeed integral.  “As he looked out over thousands of flowers blooming, mothers sitting with their babies, lovers strolling, office workers having lunch, and school groups passing through, . . . he said, ‘I should have thought of horticulture when I made my list of elements for successful urban places.  You must make it part of the mix from now on.'”

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Clematis winds through the branches of a Crape Myrtle (Lagerstroemia indica).

 

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The Madison Square Park Conservancy presents contemporary art exhibits in the park. Here, pink Astilbe pops with artist Orly Grenger’s bright blue nautical rope installation in the background.

 

Intrinsic to the horticultural principle is the importance of  increasing the urban tree canopy and incorporating beautiful moisture-tolerant plants to absorb storm water. In every Richmond project,  Capital Trees advocates planting site-appropriate trees  and capturing stormwater in lushly planted rain gardens, thus protecting our beloved James River from harmful runoff.

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Pocket parks like the Queen Elizabeth II September 11 Garden are a welcome refuge from the surrounding steel towers. This garden memorializes the British citizens who lost their lives in the September 11 terrorist attacks. Lynden collaborated with British Landscape Architects on the plant design.

 

THIRD PRINCIPLE:  GIVE THE PEOPLE WHAT THEY WANT (AND A SENSE OF OWNERSHIP)

Lynden stresses that the most successful public parks are designed after consulting with the people who will use them. Many city parks sit abandoned and covered with graffiti because they do not offer amenities important to the surrounding neighborhoods.

 

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School and daycare groups visit the Conservatory Garden on a regular basis.

Case in point:  The 97th Street Pocket Park.  Long ignored because of its location north of the tony portion of Park  Avenue, the 97th Street Pocket Park (affectionately referred to as the DMZ before its restoration) was finally given funding for a renovation after neighbors lobbied the city. 97th Street is the only park Lynden restored that does not include a maintenance budget.  She relies on volunteers to keep the park healthy and beautiful, and they do, because they fought for it and have a stake in it.

 

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For years, the city placed Chirstmas trees along Park Avenue, stopping short of the park at 96th Street, thus giving residents in Lynden’s neighborhood the message that they were not important. Lynden threatened that she would not work on the park unless the city continued the trees to the park. They complied.

Richmond has had mixed success in addressing its residents’ needs and wants for its parks. The Monroe Park Conservancy has been working with VCU and the City for 10 years to develop a plan that will appeal to students’ everyday use and to groups seeking to hold events, while respecting the park’s history as being welcome to those in need. When building  new trails on Chapel Island, James River Parks manager Nathan Burrell took into consideration the many access points used by fishermen, not wanting to discourage their continued use.  Byrd Park’s Vita Course is hugely popular with its neighbors, and the Carillon field is frequently used for a variety of games. John McGuire creatively uses all of the Richmond parks for his Sealteam PT workouts, taking advantage of bridges, rocks, walls, trails, and sunrises to give his members challenging and memorable workouts.

However, many parks and public spaces in downtown Richmond (Brown’s Island and the Capitol excepted) sit derelict and unused, just waiting for renovation to provide the thousands of workers overlooking these parks a green oasis amidst the concrete, steel and asphalt.  Just think:  if the former Reynolds Metals plant at the corner of 10th and Byrd Streets (recently marketed for development as a high rise) was  instead purchased by businesses in the vicinity and converted to a park, it would open up vistas from downtown to the canal and  provide a green respite, luring  workers to the historic canals, and consequently attracting retailers and restaurants and increasing property values for surrounding residences and businesses.

Perhaps developers will see the value in renovating the crumbling Kanawha Plaza, using Holly Whyte’s and Lynden’s principles,  creating a park to complement the soon-to-be-built high rise and giving its tenants and the surrounding neighbors a lush green-space to enjoy.

New York has created Business Improvement Districts,  where funds are collected from business property owners surrounding (and thus using and gaining enjoyment from) public parks.  The funds are used to enhance and maintain the parks.

FOURTH PRINCIPLE: AMENITIES

Wide walkways and lots of seating are essential elements in a public space.

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The spectacular Crabapple allee provides plenty of room to stroll and plenty of benches (modeled on the 1939 World’s Fair benches) upon which to relax.

Major walkways should be wide enough to allow ample room for walkers, runners and strollers. Secondary paths should be sufficient to allow traffic to flow with ease in both directions.

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Although a small pocket park, the Queen’s Garden gives its neighbors beautiful plants, wide paths, plenty of seating, a canopy for shade and a nod to history.  The park in Hanover Square is special to Lynden  because her ancestor Susannah Rutgers Marshall, one of the only female business owners in the Eighteenth Century, owned Hanover Square.  During a visit to the Virginia Museum of Fine Arts, Lynden was surprised to come face to face with Susannah’s portrait!

 

One of the most important amenities is also one of the most neglected: seating.  Whether benches, seat walls, steps, lawns or chairs, they welcome a visitor to stay.

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Large screens are brought into Madison Square Park during the U.S. Open, and hundreds of people gather during the work day to catch some of the action. Lynden sees Madison Square Park as a model for Richmond’s Monroe Park.

 

Probably the most questioned piece of advice that Lynden gives is to provide parks with moveable chairs. Holly Whyte found that people crave the feeling of control that comes with the ability to pick up a chair and move it to a desired location. He revolutionized urban parks when he introduced thousands of moveable chairs to New York’s Bryant Park.  The city found that well-used parks did not suffer many chair thefts (yes there were a few), and the plan included a small percentage of extras to replace those that did go missing.

secret garden statue at cp

The sculpture of The Secret Garden’s Mary and Dillon in the center of a pool at the Conservatory Garden is the perfect backdrop for the scores of children who come to sit on the benches for story time. Dillon’s gentle lesson of nature’s transformative power on people is practiced every day in this special place.

While food is not a crucial element to public spaces, its inclusion is a huge draw.  The day I was at Madison Square Park, lines at the Shake Shack stretched 100 yards.  It’s not always practical for a city park to accommodate a food vendor.  However, a bustling park  will attract business to the surrounding area, including eateries.

alliums and shake shack at MSP

Allium (Ornamental Onion) stand in line at the Shake Shack.

overview of queen's garden

Small cafes, bars and coffee shops have sprung up around the Queen’s Garden.  Urban gardens increase property values of surrounding businesses and residences.

We are at a crucial juncture in Richmond.  We’ve been named the best river city in the nation, and we will be visited in two years by hundreds of thousands of cycling fans. Are we going to be ready for those visitors?  Are we going to ride this momentum and make our historic city a welcoming green urban refuge?

The city is full of talented individuals, committed organizations and engaged businesses.  We need to join together with our local government to cut through the red tape, reduce the bureaucratic road blocks and ensure that city ordinances and rules work to aid and entice, not inhibit, the realization of our city’s potential.

Lynden’s visit in January gave us hope that we can succeed as she has in New York.  During Lynden’s visit to Richmond, local design professionals, city representatives, neighborhood and environmental groups, college representatives and business leaders gathered to discuss with Lynden current greening projects in Richmond.  The meeting was so successful that Randee Humphrey at Lewis Ginter Botanical Garden now organizes bi-monthly “Beautiful RVA” meetings with the same constituents to discuss, promote and help facilitate the many projects aimed at making Richmond a more beautiful and livable city.

In the words of Lynden Miller, “Beautiful parks and gardens in a city are not a frill; they are essential to the well-being of its citizens.”

hydrangeas at MSP

Oakleaf Hydrangea (Hydrangea quercifolia), Otto Luyken Laurel (Prunus laurocerasus ‘Otto Luyken’), Spirea japonica and Variegated Lacecap Hydrangea (Hydrangea macrophylla) grow along the perimeter of Madison Square Park.